PLUG FAIR / Through a glass, darkly, 2017 - 2022
performance, collaboration w / A. Berger, site specific
An extended reality promenade. The audience are immersed in an internet-age tale of corrupted site-specific information. Wearing wireless headphones they follow a deadpan guide with a laptop gaffa taped to his head through car parks, housing estates and underground train stations. They are at all times directed by the absent presence of a second performer streamed into view in real-time.
'an intense, slightly worrying and very beautiful experience' - Margot Edström, IAC
Medusa, 2023
video, UHD, looping, ed. 3+2AP
'Medusa is about looking and being turned into stone. Painful reflections, doom scrolling and stuffy rooms. A binge of algorithmic content presented to us in a language designed to absorb us. No solutions are presented, just more content to watch' - JD Howse, Permeable Barrier
Two people frowning at a sausage, 2018
performance, collaboration w / A. Berger, durational
Why you're not growing on social media!, 2022 - present
video, UHD + HD, looping, ed. 3+2AP
'Why you're not growing on social media!' is a digital research project. By creating sight-specific interventions I explore the effect algorithmic visibility and content optimization strategies are having on the production of contemporary culture online.
Best viewed in their native habbitat :
If civilisation, 2018
performance, collaboration w / A. Berger, multi-media, 00:49:00
'There were twists around every corner as two men acted out a hellish nightmare sequence of environmentalism and the downfall of civilisation... what I experienced was the opposite of being bored. It was a much-deserved morbid curiosity that I am glad to have witnessed.' - Ed Fringe Review
GROW TWO POINT OW, 2019 - 22
video, UHD + HD, looping, ed. 3+2AP
'GROW TWO POINT OW' is a digital research project. By creating sight-specific interventions I examine the development of online trends, the nature of interlaced virtual communities and the invariable exposure of intimate, personal histories.
Best viewed in their native habbitat :
Switzerland, 2018
performance, multi-media, 00:16:00
